2月的淮安,午后暖阳映窗,凭窗眺望,千年古运河穿城而过。两岸桃花绽蕾,绿柳轻拂,一片早春景象。运河北岸,清江浦楼临水屹立,静观市井喧嚣而不为所动,一如坐在我对面的许亚玲。经过全国南北片地方戏调演,接着连续在各地的多场公演,许亚玲略显疲惫、嗓音嘶哑,但她淡定谦逊,竟看不出半点浮躁。我们品着氤氲香气的绿茶,对话就从排演《秋月》谈起。马:“偷得浮生半日闲,品茗谈艺似神仙”。这 February Huaian, warm afternoon sun window, overlooking the window, the Millennium Canal through the city. Both sides of the peach blossom buds, green Liu flicker, a scene in early spring. The north bank of the canal, Qingjiangpu Lin Shui stands, quietly watching the bustling city and unmoved, just as Xu Ya-ling sitting across from me. After the national drama show north and south, followed by continuous performances in various places around, Xu Ya Ling slightly tired, hoarse voice, but she calmly humble, actually can not see the slightest impetuous. We have a smelly aroma of green tea, dialogue from the rehearsal “Moon” talk. Horse: “Half a day stole life, tea talk is like a fairy ”. This