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在信奉佛教的国家里,铸铜佛像极多,大小不等,形态各异,为青铜器中一束艺术奇葩。在大型铸铜佛像中,以日本奈良的昆卢遮那大佛像为众佛之冠。 追溯大佛的铸造颇有补益。公元前一世纪至公元二世纪青铜器的铸造方法从我国传入日本,随后,我国的失蜡铸造法也经朝鲜传入,并制造了大量的佛像和佛具。奈良时期大力吸收我国文化,自公元630～894年间十九次派遣唐使,其中十三次抵达我国,他们返日后广为传播我国的建筑、绘画、雕塑、工艺技术等,奈良古城完全是效仿唐都长安
Buddhism in the country, cast bronze Buddha very much, size, shape, bronze in a bunch of wonderful works of art. Among the large cast bronze Buddha statues, the Buddha statue of Kunlun Buddha in Nara, Japan, is the crown of Buddhism. Trace the Buddha’s casting quite tonic. From the first century BC to the second century AD bronze casting method from China into Japan, followed by China’s lost wax casting method has also been introduced into North Korea, and created a large number of Buddha statues and Buddha. Nara period vigorously absorb our culture, from the year 630 to 894 from 19 to send the messenger, of which 13 arrived in our country, they returned to Japan after widespread dissemination of our architecture, painting, sculpture, technology, etc., Nara city is completely follow the example of Tang Chang’an