一在浮华躁动的世界中,他投下了一块黑色的石头;在人欲横流的大地上,他撒开了满天洁白的雪花。当人们还惊喜地沉醉在新的舞美技巧带来的华美新奇的幻觉世界的时候,他却让一群邋邋遢遢“油花子”登上舞台,当人们迷醉在花前月下的浪漫氛围中时,他则偏让四对久别乍逢的夫妻同居于一个窝棚之中,……这些与时尚相悖的艺术构想似乎存心要煞煞“高雅者们”的风景。人们在震惊之余,常触感觉到作者嘴角那一丝狡黠的笑意,感到那用皮帽子捂不住的不安分的灵魂。 He cast a black stone in the grisly world, and he splashes of pure white snow on the land where people want to cross the river. When people were also pleasantly surprised to indulge in the gorgeous new world of illusion created by the new technique of dancing and ghosts, he made a group of staggering “flower buds” onto the stage. When people were intoxicated with the romance of moonlit flowers, He gave way to four long-lost couple living together in a shack, ... ... these artistic ideas contrary to fashion seems to want to evil demon “elegant” scenery. When people were shocked, they often felt the cunning smile at the mouth of the author, feeling the insecure soul that could not be covered with a leather hat.