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看到很多人都在悼念哥伦比亚作家加西亚·马尔克斯,关于他的文章铺天盖地,我想这并非偶然。我想每一个热爱过文学的人都是难以错过他的。在文学刚刚开放的20世纪80年代,人们突然读到马尔克斯那样的小说、那样的写作、那样疯癫魔幻而现实的家族叙事,大概都被震惊了。《百年孤独》不管是不是盗版都不重要,哪怕被翻成烂纸片,一握在手,不肯卸去。所以说,中国20世纪80年代崛起的作家中很多人受老马的影响。莫言、余华、韩少功、残雪、苏童、陈忠实、马原等不一而足。看看这些作家的重要作品,都能找到老马的影子。有人说,之所以很多人对马尔克斯笔下的
It is no accident that I saw a lot of people are paying tribute to the Colombian writer García Márquez, whose articles are overwhelming. I think it is hard for anyone who loves literature to miss him. In the 1980s, when literature was just opened, people suddenly read such novels as Marquez, and such writing, the frantic magical and realistic family narration, was probably shocked. “Hundred years of loneliness” is not important whether it is not piracy, even turned into rotten paper, a grip in hand, refused to unload. So, many of China’s rising writers in the 1980s were influenced by old horses. Mo Yan, Yu Hua, Han Shaogong, Can Xue, Su Tong, Chen Zhongshi, Ma Yuan and so on. Look at the important works of these writers, can find the shadow of the horse. Some people say that the reason a lot of people write about Marquez