杰拉德·维兹诺在多数作品中都塑造了“恶作剧者”这一具有鲜明文化特色及政治功能的文学形象,他们在族人深陷殖民文化而沦为精神游魂的困境中涌起作为族人思想解放者、拯救者及启蒙者的历史使命感。与各部族传统神话中猿猴、郊狼、野兔等形象特质具有高度相似性,“恶作剧者”通过引导族人解构西方话语权威并建构自身文化发声机制,切实促进族人的文化回归与精神救赎。 In most of the works, Gerard Vizyno has shaped the literary image of “prankman” with distinct cultural features and political functions. They surged out in the predicament that the tribe was deeply involved in the colonial culture and became spiritual A sense of historic mission as a tribe of liberators, savior and enlightenment. It has a high degree of similarity with the image traits of apes, coyotes and hares in the traditional myths of various tribes. The “prankman” effectively guides the tribe’s cultural return and spiritual salvation by guiding the tribe to deconstruct the authority of the Western discourse and construct their own cultural sounding mechanism.