《孔乙己》是鲁迅先生在五四运动的前夜继《狂人日记》之后发表的第二篇白话小说,也是他自己最满意的一篇小说,鲁迅先生后来亲自将它译成日文。《孔乙己》一文虽不足三千字,但结构的完整、情节安排的巧妙、思想的深刻、语言的精练,历来为人们称道不已。今天,重读这篇小说。我再一次被它的艺术魅力迷住,被它在喜剧的氛围中展示悲剧的内容,以“笑”写泪的写作方技法折服。 古人说,以乐写哀,哀更显哀。同样,以喜写悲,也更添悲色。《孔乙己》一文所表现的悲剧性内容,就正是在喜剧的氛围中展开并得到强化的,“笑”纵贯了《孔乙己》一文的始末。作者把它与孔乙己悲惨的一生紧紧胶合在一起,让孔乙己在人们的笑声中登场,在人们的哄笑声中表演,最后又在人们的笑声中走向死亡。 Kong Yiji is the second vernacular novel written by Mr. Lu Xun on the eve of the May 4th Movement following “The Madman’s Diary” and is also the most satisfying novel of his own. Later, Mr. Lu Xun personally translated it into Japanese. Although Kong Yiji’s article is less than three thousand words, its complete structure, ingenious plots, profound thoughts, and refined language have always been praised by people. Reread this novel today. Once again, I was fascinated by its artistic charm and was shown the content of tragedy in a comedy atmosphere. I was impressed with the technique of “laughing” and writing the tears. The ancients said that with music, mourning, mourning is even more sad. Similarly, writing grief with joy also adds to sadness. The tragic content of the book “Kong Yiji” was unfolded and strengthened in the atmosphere of comedy. “Laugh” runs through the whole story of “Kong Yiji”. The author glued it to the miserable life of Kong Yiji so that Kong Yiji appeared in people’s laughter, performed in people’s laughter, and finally died in the people’s laughter.