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文章通过对明清时期花鸟画画家的写意造景手法进行分析,研究其独到之处,尤其对徐渭、沈襄、吴昌硕、华嵒等大师的花鸟画写意造景手法进行了着重评析,对其追求的意境与格调进行探索。作者从明清花鸟画的写意造景手法的变化着手,着重于对技法的描写,并通过对明清花鸟画大家在写意造景手法上中的发展为主线,展开一系列的评论,以期探究明清花鸟画大家的写意精髓。
Through analyzing the freehand landscaping practices of flower and bird painters in the Ming and Qing Dynasties, this essay mainly studies the unique features of freehand landscaping techniques of flowers and birds, including Xu Wei, Shen Xiang, Wuchang Shuo and Hua Yan. Pursuit of mood and style to explore. The author starts from the changes of the freehand landscapes in the Ming and Qing dynasties, focusing on the description of the techniques. Through the development of the landscape paintings in the Ming and Qing dynasties, the author starts a series of comments to explore Ming and Qing flowers and birds draw the essence of everyone.