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在传统伦理文化的浸淫和制约下,中国古典戏曲随着“经典化”进程而形成了“圆”式、“和”式、“变”式三种伦理叙事模式。古典戏曲的叙事模式是传统伦理文化的艺术呈现,果成于社会宣教的倡导与掣肘,也是民众情理慰藉与心理防御的需要。模式化的古典戏曲叙事失去了对伦理文化的良知,麻醉了对社会本质的认知,而对戏曲本身,过度程式化的叙事模式使其失去娱乐与审美功能的同时,也严重削弱了曾一度强化的伦理教化功能。
With the steepensing and restriction of the traditional ethic culture, the Chinese classical operas formed three types of ethical narratives, such as “round” style, “and” style and “change” style with the process of “classicization” mode. The narrative mode of classical opera is the artistic representation of traditional ethical culture. It is advocated and restrained by social missionary education. It is also the need of people’s consolation and psychological defense. The classical narrative of the classical opera loses the conscience of the ethical culture and narrates the cognition of the nature of the society. However, the overly stylistic narrative mode of the opera itself makes it lose its function of entertainment and aesthetics. At the same time, Strengthen the ethical enlightenment function.