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雅可布逊一生的语言学、诗学和符号学探索始终没有离开过对作为语言代码的时空因素的研究。无论是普通的语言代码还是语言艺术的代码,他对时空因素的理论探索始终伴随着对索绪尔的共时与历时的相对概念的解说及与之论辩过程。雅可布逊对时空的认识始于先锋派对克服静止、崇尚立体艺术的摇篮,伴随着现代普通语言符号学对共时与历时辩证关系的求索,在系统的考察声音和意义的诗学殿堂里日臻完善。鉴于此,我们需要沿着多维的路径来理解雅氏的时空理论。本文主要着眼于先锋派艺术、语言符号学以及诗学等不同视域,对雅可布逊的时空理论进行多维阐释。
Jacobson’s life linguistics, poetics and semiotic exploration has never left the study of the space-time factor as the language code. Whether it is ordinary language code or language art code, his exploration of the theory of spatiotemporal factors is always accompanied by the commentary and the process of debate on Saussure’s relative concept of synchronic and diachronic. Jacobson’s understanding of space-time began with the avant-garde’s struggle to overcome stillness and advocate the cradle of three-dimensional art. Along with the search of the dialectical relationship between synchronic and diachronic modern linguistic signs, in the systematic study of the poetic hall of sound and meaning Improving. In view of this, we need to understand Jari’s space-time theory along the multidimensional path. This thesis mainly focuses on avant-garde art, linguistic semiotics and poetics and other different perspectives to explain Jacques Cobb’s space-time theory multidimensional.