荒原派和列岛派相继于1955年解体、棹派,汜派、貘派继之而起,标志着战后日本诗歌进入发展的第二个时期。样三派新秀脱颖而出,以感情浓郁、清新俊逸的抒情诗崭露诗坛。不久、今天派和民族诗人派,在表现形式和写作技巧等方面,作了一些新的探索和尝试,迸发出一种强烈期待突破的心理状态。从六十年代到七十年代,日本诗坛逐渐接受西方形式主义影响。五十年代中期,日本经济急剧膨胀,人民群众物 The wilderness camps and the archipelagic island groups all dissolved one after another in 1955. The Qipai, the Qiao camps and the Qiao camps ensued, marking the second period after the postwar Japanese Japanese poetry entered into development. Like the three school rookie come to the fore, rich feelings, fresh and comfortable lyric poem poetry revealed the poetry. Shortly afterwards, he was sent to join the group of ethnic poets and made some new explorations and attempts in terms of forms of expression and writing skills, sparking a state of mind that is strongly expecting breakthroughs. From the 1960s to the 1970s, Japanese poetry accepted the influence of Western formalism gradually. In the mid-1950s, Japan’s economy expanded rapidly and the masses of the people materialized