本文以陈美玲与梁志英的四部作品为例,通过族裔美国作品讨论文学伦理学批评。自20世纪六七十年代的民权运动以来,伦理成为促进族裔文学创作的强烈驱动力。笔者认为大部分伦理或文学标准都受到民族、性别、阶级、政治与宗教的影响,因而对绝对“客观”的文学伦理学批评提出怀疑,强调伦理与美学的相辅相成与不可分割性。少数族裔作家笔下的阶级剥削、同性恋仇视、性骚扰批判、与族裔文学边缘化等话题也被本文纳入文学伦理学批评的范畴。 Taking the four works of Chen Meiling and Liang Zhiying as examples, this article discusses literary ethics criticism through ethnic American works. Since the civil rights movement of the 1960s and 1970s, ethics has been a strong driving force behind the promotion of ethnic literary creation. The author believes that most ethical or literary standards are influenced by ethnic, gender, class, politics and religion, so they doubt the literary ethical critique of absolute “objective ” and emphasize the complementarity and indivisibility of ethics and aesthetics. The topics of class exploitation, homophobia, sexual harassment criticism and marginalization of ethnic literature by ethnic minority writers are also included in the category of literary ethics criticism.