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随着乐府学研究日益受到学界关注,相关成果如雨后春笋般层出不穷,并有不断向纵深方向延伸拓展的趋势,近来关于“行”体乐府诸多问题的探究便是很好的说明。由于人们在讨论“行”体乐府时,首先想到和利用的是《史记》、《汉书》中关于司马相如弄琴以挑卓文君的描述,所以,正确解读其具体文意,便显得非常重要且必要了。本文即意欲就此问题作一辨析探讨,以期有补于相关事项的澄清。
With the increasing attention of the scholars in the field of Yuefu studies, the related achievements have mushroomed in an endless stream and have been continuously extended in the depth direction. Recently, the exploration of many issues concerning the “music” is very good. As people discuss the use of “music”, first of all think and make use of the description of Sima Xiangru to pick Zhuo Wenjun in Records of the Historian and Han, therefore, to correctly interpret its specific meaning, It is very important and necessary. This article is intended to make an analysis of this issue, with a view to make up for the clarification of related matters.