生命·文化周者,吾师周俊杰也。其人其书,实乃一本大书,永远在阅读中。这是一个公共读本,更是我的私人读本。唐代诗人孟郊有诗曰:“鉴独是明月,识志唯寒松”明月之下,可以慎独。而寒松便是一种精神的标本。于是,我在日记里记下,“要学会最大限度地欣赏他者的独特性。”独特性即是“这一个”。“这一个”是古往今来的艺术家都追求的。认识“这一个”他者与“认识你自己”一样重要。只有不带盲点的眼睛才能在他者那里认领自己,同时,看见眼前的对象和眼后的另一只眼睛,从而构筑起自己“永远现在时”的生命世界。艺术人生,让人观照的不是文化的碎片,而是人的生命又一次复合了斑驳绚烂的世界。人使生命成为一种文化形式。抑或是文化的生命形式就是人,连自然也人文化了,尤其在我们这个早熟的文化国度里,尤其是在汉字文化的书法世界里。由是,返回到生命本身,也许才体会认识到文化的本相、艺术的本相、书法的本相。 Week of life and culture, my teacher Zhou Junjie also. His book, in fact, is a large book, always reading. This is a public reading, it is my private reading. Tang Dynasty poet Meng Jiao has a poem said: “Kam alone is the moon, knowledge Zhi Han Song ” Under the moon, you can be prudent. The cold is a kind of spiritual specimens. So, I recorded in my diary, “To learn to maximize the enjoyment of the other’s uniqueness. ” Uniqueness is the “this ”. “This one ” is sought after by all the artists from all over the world. It is just as important to know “This One” as “Know Yourself”. Only an eye without a blind spot can claim oneself in the other, and at the same time, see the immediate object and the other eye behind it, so as to build up a life-world in which one is forever. Art life, people not to observe the cultural fragments, but human life again complex mottled gorgeous world. People make life a cultural form. Or is the cultural form of life is human, even natural and human culture, especially in our precocious cultural kingdoms, especially in the Chinese calligraphy world. The reason is that returning to life itself may realize the true nature of culture, the nature of art, and the essence of calligraphy.