本文从接受美学理论的两位主要创始人伊瑟尔和姚斯的意义不确定性理论和期待视野理论入手,分析了孟浩然的《春晓》及其四种英译文。文章主要从韵律、意象和意境三个方面阐释了四种译文中美学元素的再现,并给出了笔者的期待视野。笔者认为正是诗歌中的诸多未定性的点和意义空白召唤读者展开联想,而读者期待视野的差异性又使这些联想各不相同,从而不同的译者给出了不同的译文。 This article starts with the theory of meaning uncertainty and expectation horizon of the two main founders who accept aesthetic theory, Isell and Yaoas, and analyzes Meng Haoran’s “Chunxiao” and its four English versions. The article mainly expounds the reproduction of the aesthetics elements in the four kinds of translation from three aspects: prosody, imagery and artistic conception, and gives the author’s expectation horizon. The author thinks that it is just the unknowable points in the poetry and the blank call for the reader to unite the meaning of the reader, and readers expect the difference between the field of vision and make these associations are different, so different translators are given different translations.