对于长沙的注视,从一个女人和一件纱衣开始。那是1997年初春,我置身于长沙马王堆博物馆,久久地注视着那件薄如蝉翼的纱衣。其时,柔软的灯光,将它如梦的细部一一耐心地显现。长度、宽度、体积、重量,不同属别的度量衡搭建出一个不可思议的造型,透露了一个来自远古的奇迹。从绵软蚕儿体内源源吐出的丝缕,与时光的分量,孰轻孰重?当无数的丝缕交缠一体,密密织扣,可以抗过多长岁月的抻拉与撕扯?如果撤去玻璃幕墙,送入一阵风,这件素纱蝉衣是否会飘 For Changsha’s gaze, starting from a woman and a yarn. That was the early spring of 1997, when I was in the Mawangdui Museum in Changsha, watching for a long time that piece of yarn like a cicada. At that time, the soft light, it will dream detail one by one patiently revealed. Length, width, size, weight, different types of weights and measures to build an incredible shape, revealed a miracle from ancient times. From silkworm spirits sponge spit out of the body source, and the time component, what is more important? When countless silk intertwined, closely woven, anti-excessive long years of pull and tear? If you remove the glass Curtain wall, into a gust of wind, this piece of yarn Chan clothing will float