被誉为“现代绘画之父”的后印象主义画家保罗·塞尚认为:“绘画并不意味着盲目地复制现实,而是寻求某种关系的和谐。”这种“关系的和谐”是通过理性综合来完成的,即将客观事物主观化。因此,他善用几何图形来绘画,以探求事物之间的和谐关系。他把描画自然要用圆柱体、圆球体、圆锥体的观点和多视点表现法结合起来,表现对物体的追求,这一观点后来成了立体主义画派的探索指南。当然,这只是古往今来人类绘画史中几何元素引入的一段而已。 Paul Cezanne, the post-impressionist painter known as the “father of modern painting,” argues that “painting does not mean blindly copying reality, but seeking harmony of some kind of relationship.” Harmony "is accomplished through rational synthesis, that is, to subjectively objective things. Therefore, he is good at using geometry to draw, in order to explore the harmonious relationship between things. He portrays nature’s pursuit of objects through the combination of a cylinder, a sphere, a cone, and a multi-viewpoint representation, which later became a guide for Cubism. Of course, this is only the passage of geometric elements in the history of human painting from the past to the present.