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爱情是婚姻的基础的传统婚姻理念遭到了新写实小说家的无情嘲讽。新写实小说家采用爱情偶然性模式展示了恋人无法找到自己满意对象的悲剧命运,从而揭示了爱情的虚无。新写实小说家爱情观的产生是物质困窘和“文化低迷”的产物,其对爱情本质的理解体现出了理想主义溃退的精神实质。经历了爱情悲剧的男女主角采取婚外情等形式进行补偿,但最终依然逃不脱悲剧命运。新写实小说家通过双重悲剧表达了她们对于生命终极的思索与追问。
The traditional concept of marriage, in which love is the basis of marriage, has been mercilessly ridiculed by neo-realistic novelists. New realistic novelists use love contingency model shows the lover can not find the object of their own tragic fate, thus revealing the nihility of love. The creation of the new realistic novelists’ view of love is the product of material embarrassment and “cultural downturn ”, and his understanding of the nature of love embodies the essence of the idealist regression. The male and female characters who experienced the tragedy of love are compensated in the form of extramarital affair, but in the end they still can not escape the tragic destiny. New realistic novelists expressed their ultimate thinking and questioning about life through double tragedies.