现代建筑创作如何对待传统这一问题,在我国,从建国初期至今,一直在探索争论。1955年虽然批判了复古主义,但在此后的创作思想和理论上,并没有形成统一的结论。这点和日本相同。五十年代中期,日本建筑界在现代建筑创作中如何对待传统这一问题上,展开了一场大辩论,即所谓“传统与现代”的争论。这场争论持续了五年之久,社会上涉及范围之广是前所未有的。然而,这场争论却以无结果而悄然告终。表面上似乎被60年代经济起飞的高潮淹没了,实际上是一场统一不了的辩论。 How to deal with the traditional issue in modern architecture creation, in our country, has been exploring disputes since the early days of the founding of the country. Although 1955 criticized retroism, no unified conclusions have been formed in the subsequent creative thoughts and theories. This is the same as in Japan. In the mid-fifties, the Japanese construction industry started a big debate on how to deal with tradition in the creation of modern architecture, which is the so-called “tradition and modernity” debate. This controversy lasted for five years, and the breadth of society involved is unprecedented. However, this dispute ended quietly with no results. On the surface, it seems that it was overwhelmed by the upsurge of economic take-off in the 1960s. It was actually a debate that could not be unified.