我们对这个问题的认识是有些一肤浅的。有时,演员们觉得这十分容易了解,因此也就认为这很容易做戏的种子到。但有时,他们却又很难抓到种子。现在让我们举例来分析一下这个问题。我们来看一看最鲜明和易于理解的戏的‘种子’之一:高尔基的‘仇敌’的种子。这个戏的种子是突出的、明确的,从剧本的名称本身已经显示出来。一方面是工人阶级;另一方面是地主、厂主、剥削者。右边是剥削阶级中最凶恶的米哈依尔·斯克罗鲍托夫、他的同夥巴尔金夫妇、将军、宪兵上尉、军官等等。左边是工人们,其中有辛卓夫。每一个人物都描绘得生动、独特、合乎舞台要求。每一个人物都给演员提供了发挥技巧、发 Our understanding of this issue is somewhat superficial. Sometimes, the actors think it’s easy to understand, so it’s easy to think of the seeds of the show. But sometimes they find it hard to catch seeds. Now let us give an example to analyze this issue. Let’s take a look at one of the ’seeds’ of the most vivid and easily understood play: Gorky’s ’enemy’ seed. The seeds of this show are outstanding and clear, and the name of the script itself has been revealed. On the one hand, the working class; on the other hand, landlords, owners and exploiters. To the right is the most ferocious Mikhail Sskobatov, the exploiters, his associates Barkin, the general, the captain of the gendarmerie, the officers and so on. On the left are the workers, among them Sinofloh. Each character is vivid, unique, in line with the stage requirements. Each character gives the actor to play skills, hair