朱生豪译莎，确是一次惊世骇俗的空前创举。 他悉心体会原作的神韵，领悟我国读者（包括演出时的观众）乐于接受的限度，突破莎翁的无韵诗体表述形式，大胆运用散文文体翻译过来。在遇到一些不符合读者（包括观众）思维习惯的场合时，为了使原作在我国这一特定环境里更加传神， Zhu Shenghao’s translation of Sha Sha is indeed an unprecedented creation. He carefully realized the charm of the original work, realized the limits of the acceptance of the readers (including the audience during the performance) of our country, broke through the expression of Shakespeare’s non-rhythm poetry, and boldly translated the prose style. When encountering some occasions that do not meet the habits of the readers (including the audience), in order to make the original more vivid in this particular environment in our country,