一、心态和绘画程序应回归近现代中国历经风雨,文化上的运动和变革使传统文化出现断层现象,中国画的发展也出现传承无绪之状。当代社会是是快的时代,一切事物的评判都以速度和时效为标准。高校中国画的教学和学习也有心态求快的现象,画中国画追求速效,这不光和心态有关,还因不明白传统中国画的绘画程 First, the mentality and painting procedures should be returned to modern China After years of wind and rain, cultural movements and changes in the traditional culture of the phenomenon of the fault, the development of Chinese painting there is no trace of succession. Contemporary society is a fast era, all things are judged by speed and timeliness as the standard. The teaching and learning of Chinese traditional painting in colleges and universities also have the tendency to seek quick results. Drawing Chinese paintings for quick results is not only related to their mentality, but also because they can not understand the traditional Chinese painting process