金石,大雅也。于方寸之中见精巧,刀笔之下著情操。雄劲之前不失精妙,古朴之间泛透清雅。更是君子之道,梅兰竹菊,较之而逊古朴;琴棋书画,比其已输方寸。前人篆字以留其名,铭碑而记其文。吾少时,常铅笔在握,描文字于报纸;小刀相执,刻图形至橡皮。任时光度去,沉醉自生欢乐;闲暇耗尽,回味暗结情愫。至师范,偶得吴颐人之《篆刻法》一书。始知嫣红暗藏乾坤,阴阳涵盖章法。平正盘曲,疏密而生变化;增减挪让,刀笔以为协调。对流派纷呈,秉习汉家治印;名章罗列,融汇清人刀法。照本而习,专注其间。奏 Stone, Taiga also. See intricacies ingenious, knives pen under the sentiment. Before losing the exquisite Xiong Jin, simple elegant between elegant. More is a gentleman’s Road, Merlin, bamboo chrysanthemum, on the other hand quaint; poetry and painting, than it has been lost. The former seal characters to stay its name, monument and remember its text. When I was young, I often had a pencil in my hand and my words were in newspapers. Time flies go, indulge themselves with joy; exhausted leisure, aftertaste dark knot 愫. To the teacher, even Wu Yi’s “carving law,” a book. Before you know the hidden universe, Yin and Yang cover chapter law. Flat disk music, density and change; increase or decrease of Norway, knife pen thought coordination. Controversy was presented as a rule of Han rule India; name list Luo, blending Qing knife and knife. According to this habit, focus on the meantime. Play