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云南省马关县阿峨新寨的版画创作经历了与全国农民画相近似的发展历程,在当代亦类同地陷入了文化产业化发展的困境。将其置于时代语境中加以剖析,可反思乡村文化产业发展及其对传统村落人际关系结构的影响。一方面,需要切实检讨“政府帮扶”策略的效度和形式;另一方面,也宜在更大的格局中对当下流行的“整村推进型”文化产业发展模式加以调适。从而,让本应使村落社会普遍受惠的版画产业化发展,尽可能规避村落内部演化出非公平竞争规则导致人际关系高度紧张、传统村落社会非和谐发展。
The printmaking work of A’e Xinzhai Village in Maguan County of Yunnan Province has undergone a process of development similar to that of the country’s peasants’ paintings. In the contemporary era, the printing industry of the A’e Xinzhai Village has also fallen into the predicament of the development of cultural industries. Analyzing it in the contemporary context can reflect on the development of rural cultural industry and its impact on the structure of human relationship in traditional villages. On the one hand, it is necessary to review effectively the validity and form of the strategy of “helping the government”; on the other hand, it is also appropriate to adapt the prevailing pattern of “whole village-based promotion” and “cultural development” in a larger pattern . Therefore, it is necessary to make the industrialized development of lithographs, which should have benefited the village community in general, and to avoid as far as possible the inequality in the internal evolution of villages, resulting in a high degree of interpersonal tension and the non-harmonious development of traditional village communities.