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除了少量“新”的题材,深圳文学似乎仍旧笼罩着“旧”文学的阴影,旧的语言,旧的结构,旧的思想,旧的情感,甚至连经验都是旧的,一直以来都是这样。这种现象不应成为文学的新常态。深圳作家们应在深圳的“大”题材中,真切感受,努力挖掘,获得不同于其他现代城市文学的经验和肌理,在市场语言的基础上,寻找新的语言,从而获得文学的蓬勃生命力,创作出“大”气的文学作品。
Apart from a few “new” themes, the Shenzhen literature seems to still be shrouded in the shadow of “old” literature, the old language, the old structure, the old thoughts, the old feelings, and even the experiences are old, It has always been this way. This phenomenon should not become the new normal of literature. Shenzhen writers should really feel and try their best to find out the experience and texture different from those of other modern urban literature in the subject of “Big” in Shenzhen. Based on the market language, they should search for a new language so as to obtain the prosperity of literature Vitality, creating “big ” gas literary works.