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唐代是中国古典诗歌发展的黄金阶段,无论从内容到艺术都异常丰富多彩,的确给宋人提供了无数可供借鉴的东西。然而,宋诗在唐诗之后又是一个大不幸,要产生新的风格、有新的开拓实在太难了。形式已经定形不必说,诗的风格也似乎太难创新了,艺术的辩证法就是如此。当杨万里登上诗坛的时候,北宋已有欧阳修、苏轼,江西派的创新努力,形成了不同于唐诗的风韵,而南宋的同时代人陆游、范成大又自具面目,杨万里在选择自己的突破口时一定是煞费苦心的。“先生苦吟月色晚”。
The Tang Dynasty was the golden stage for the development of classical Chinese poetry. No matter from content to art, it was extremely rich and colorful. It indeed provided countless things for the Song Dynasty to learn from. However, Song poetry is a big misfortune after the Tang poetry. To create a new style, it is too hard to have a new development. Needless to say the form has been set, the poetic style seems too difficult to innovate, the art of dialectics is so. When Yang Wanli boarded the poetry world, the Northern Song Dynasty had the innovative efforts of Ouyang Xiu, Su Shi and Jiangxi School, forming a charm different from that of the Tang poetry. The contemporaries of the Southern Song Dynasty, Lu You and Fan Chengda, were self-possessed and Yang Wanli chose his own Breakthrough must be painstaking. “Mr. mournful moonlight night.”