文章集中探讨的是施蛰存小说创作后期由“现代主义”到“现实主义”的转向,对施蛰存在二十世纪三十年代后期向现实主义的转向是“屈服于左翼的压力”或“没有发挥潜力”的说法提出商榷。分析所谓的“现代主义文学”在中国的不能建构,并结合施蛰存小说创作中的困境,认为他后期向现实主义的转变,是一个基于自己的创作经验和现实判断,做出的理智的、主动的转变。 The article focuses on the turning point of Shi Zhecun’s novel from “modernism” to “realism” in his later period. The shift from Shi Zhe’s existence to realism in the late 1930s is “pressure to the left” or “ Did not realize the potential of ”argument put forward for discussion. The analysis of the so-called “modernist literature” can not be constructed in China, combined with the plight of Shi Zhecun’s novel creation, that his later transition to realism is based on his own creative experience and realistic judgments made by the rational , Take the initiative to change.