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世界各国人民历来都很愿意交流各自国家的建筑艺术,以实现不同文化与文明的传播。这种物质和精神的交换有助于全人类的共同进步,也促进了建筑师的创作活动,共同改善了人类生活环境,加深了各国人民之间的相互了解。十月革命后,苏联进入新的发展时期。在新型社会中建筑师的革新思想成为现代建筑理论和实践的基础。1925年苏联参加了在巴黎举行的世界博览会。世界博览会除了完成本身的任务外,还是一种独特的建筑艺术展览,每个国家都力求展示出自己建筑艺术中最新的成就。苏联展览馆以其异常新颖的建筑艺术构思使专家和广大观众惊叹,给他们留下了难以磨灭的印象。这种建筑构思与其他国家古典式、折中式的展览馆建筑相比,显得非常突出。这是苏联在国外的第一个建筑使者,直至今日仍被公认为建筑艺术创作中的杰作。这是新社会里产生的建筑艺术,是社会思想
People all over the world have always been willing to exchange the architectural art of their respective countries in order to achieve the spread of different cultures and civilizations. This kind of material and spiritual exchange will contribute to the common progress of all mankind, and it will also promote the creative activities of the architects, jointly improve the human living environment, and deepen mutual understanding among peoples of all countries. After the October Revolution, the Soviet Union entered a new period of development. The innovative ideas of architects in the new society have become the basis of modern architectural theory and practice. In 1925, the Soviet Union participated in the World Exposition held in Paris. In addition to fulfilling its own mission, the World Exposition is a unique architectural art exhibition. Each country strives to display its latest achievements in architectural art. The Soviet Exhibition Hall surprised the experts and the general audience with its unusually novel architectural art concept, leaving them with an indelible impression. This architectural concept is very prominent compared with the classical and eclectic exhibition building in other countries. This was the first construction ambassador of the Soviet Union abroad and it is still recognized as a masterpiece of architectural art creation. This is the architectural art produced in the new society and it is social thought.