记得《电影艺术》曾发表过于敏同志《求真》的文章,广征博引,文采飞扬,且理深意切,很有见地,使我受益匪浅。多年来,广大观众对一些影片的“不真实”啧有烦言,早已引起电影界同行们的重视。讨论文章固然很多,在创作实践中刻意“求真”的作品也逐渐多起来。近两年来,我从《心泉》、《彩桥》到《春晖》也试图在这条“求真”的路上进行探索。如果说,限于自己各方面水平不高,还写 I remember that “cinematic art” once published an article about “truth-seeking” by Comrade Yu-Min Min. It has benefited me greatly because of its extensive collection of excerpts and exquisite writing. Over the years, the vast majority of viewers have been resentful about the “untruthfulness” of some films, which has long drawn the attention of filmmakers. Although there are many articles for discussion, there are also more and more works that are deliberately “truth-seeking” in their creative practice. In the past two years, I have also tried to explore this “truth-seeking” journey from “Heart Spring”, “Colorful Bridge” to “Chunhui”. If you say, limited to all aspects of their level is not high, also write