论文部分内容阅读
《小城畸人》问世于20世纪初,却与半个世纪之后才风行一时的解构主义颇有相通之处。舍伍德·安德森凭借一个伟大艺术家的深刻洞察力,刻画出一个个孤立隔绝的“畸人”世界。同时该作在结构、话语及消解人的主体地位等方面呈现出鲜明的解构主义特征。本文将从解构性入手解读该作品的丰富内涵。
The “Tortoise” came into being at the beginning of the 20th century quite similar to the deconstructionism that prevailed only half a century later. Sherwood Anderson paints a world of “freaks” isolated and isolated by the insight of a great artist. At the same time, the book presents distinctive features of deconstruction in the aspects of structure, discourse and digestion. This article will start with the deconstruction of the interpretation of the rich content of the work.