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近年来国内艺术收藏市场迅猛升温,许多主流门类藏品市场火暴的同时也伴有许多问题和泡沫,甚至开始降温。而一个较小众的类别却低调稳步地发展壮大,就是佛教艺术市场。伴随越来越多的人关注和加入,国内藏家对佛教艺术的认识也已有一定水平,谈到明永宣、清宫廷等风格都很熟悉,但对某些佛像类型则了解甚少。本文就粗略介绍一下13至14世纪西藏西部流行的一种特色鲜明的佛像风格,此风格古朴轻巧而又典雅高贵,圈里也有的称为“拉达克风格”。
In recent years, the domestic art collection market has been rapidly warming up. Many hot topics in the mainstream collections market are accompanied by many problems and bubbles, and even cooling down. However, the category of a smaller minority has steadily grown and grown in a low-key manner. This is the Buddhist art market. As more and more people pay attention and join, domestic collectors have a certain level of understanding of Buddhist art. They talk about Ming Yongxuan, Qing court and other styles are familiar, but little understanding of some types of Buddha. This article will give a rough introduction to the vivid and vivid style of a Buddhist statue from the 13th to 14th centuries in the western part of Tibet. This style is simple, light and elegant, and is also called “Ladakh Style” in the circle.