看见潘道生的作品以及他对自己作品的命名,我似乎感应到了他心灵的动机——还原生命以真相,巧富生命以气姿;这也让我想起法国意识流派作家马塞尔·普鲁斯特命名他自己的作品《追忆似水年华》。潘道生作为一个东方人,同样以自己安静而独特的精神方式,传达着对生命易逝的感慨与矛盾性的留恋。他不愿放过那些宝贵而深刻的记忆,但正因为是记忆,它们必须以另一种有效的可能性的方式,超越性地呈现在历史之中和作为整体历史的当下。 Seeing Pan Daosheng’s work and his naming of his work, I seem to have sensed the motivation of his mind - to restore life to the truth, to make life rich and angry; it also reminds me of the French literary genre writer Marcel Proudhon Stewart named his own work “Remembrance of Time.” Pan Daosheng, as an Asian, also expressed his sentimental and ambivalent nostalgia for life in the same quiet and unique spiritual way. He did not want to let those valuable and profound memories go away. But precisely because of memory, they must be surpassingly presented in history and as a whole for the present moment in a way that is validly viable.