无论多么具象的雅石,每一次看它,都有可能进行一次再创作,而每一次创作都有可能受环境和心情的影响。我在烟花三月的柳州,在这座繁花盛开的城市里,满眼看到的是花容,嗅到的是花香,此时此景欣赏这幅长江石画面,仿佛看到的是从《诗经》里走出来的人物——那位在三月桃花盛开出嫁的美丽姑娘。画面虽然由黑白水墨构成,但丝毫没有影响姑娘的姣好面容。画面中两位女子一前一后款款前行,左边留白恰到好处。前者一袭长裙,头饰精美,仪态贤淑端庄,后者素颜长发, No matter how concrete Yashi, every time you look at it, it is possible to make a second creation, and each creation may be affected by the environment and mood. I was in Liuzhou, a fireworks festival in March. In this blossoming city, I saw the flowers and smells of flowers. At this time, I admired this picture of the Yangtze River, The character who came out - the beautiful girl who married in March in full blossom. Although the picture is composed of black and white ink, but did not affect the girl’s pretty face. Two women in the picture one by one after the paragraph forward, left just right. The former dressed in a dress, beautiful headdress, virtuous virtuous and dignified, the latter plain, long hair,