一、幻象与狗在当代世界众多的批评家中,法国人罗兰·巴特(1915～1980)是一个划时代的人物。他的重要性是人所共知的,很多批评家和作家言必巴特。对许多专家学者而言,巴特是一个学派、一种学说的代表。专家学者们用专业的长镜头观察他,从不同视角点评他的理论,找到“结构主义”、“符号学”、“解构主义”的各种标签。仅仅从一种学术或思想的分类看,这些标签当然是贴对了地方的。然而,对我来说,学术或思想的坐标点以及“中药铺”的分类没有太大的意义。我钟情于罗兰·巴特,是因为在他的 First, the illusion and the dog Among the many critics in the contemporary world, the French Roland Bart (1915 ~ 1980) is an epoch-making figure. His importance is well known to many critics and writers. For many experts and scholars, Bart is a school of thought, a representative of the theory. Experts and scholars use professional long lens to observe him, review his theory from different perspectives and find various labels of “structuralism”, “semiology” and “deconstructionism”. Just from the classification of an academic or thought, of course, these labels are posted on the right place. However, for me, the coordinates of academic or thought points and the classification of “Chinese medicine shop” do not make much sense. I love Roland Barthes, because of him