面对这样的画作,我们已经无法为其归类。从创作手段方面说,这些画当然归属于西方的油画;但是,透过画面,郁郁勃发的却分明是一股延绵千年的中华精神。在当代中国美术界,一些有追求的艺术家都想在创作上有所突破;运用毛笔作画的,力图从国外艺术潮流中吸收营养,进行艺术变革;执油画笔与刮刀的,却在精神的旅途上,渴望向着民族传统回归。无论是借鉴西方,或是拜祖皈依,在这些有理想、有思想的创作者的推动下, In the face of such paintings, we can no longer be classified. From the creative point of view, these paintings certainly belong to Western oil paintings; however, through the pictures, the blooming but clearly marked a sprawling millennium of Chinese spirit. In contemporary Chinese art circles, some aspiring artists all want to make breakthroughs in their writing. Brush-making works aim at assimilating nutrition and making artistic changes from the foreign art trends. However, in the spiritual journey of taking paintbrushes and scrapers, On the desire to return to the national tradition. Whether borrowed from the West or converted to worship by ancestors, driven by these idealistic and thought-provoking creators,