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东汉赵壹的《非草书》作为重要的书法理论著作,真实地再现了汉人学习书法的狂热,它反映了赵壹站在儒家文化的立场上反对当时的社会精英阶层对草书的狂热追求,标志着儒家文化对书法进行全面渗透融合的开端,从反书法的层次将书法纳入儒学体系。赵壹将书法艺术与人的禀性、才情联系在一起,强调书法应当自然天成、源自本性,这对书法批评有着重要的意义。
As an important book of calligraphy theory, Zhao Yi’s “non-cursive scriptures” of the Eastern Han Dynasty truly reproduce the fanatical enthusiasm of Chinese studying calligraphy. It reflects that Zhao Yi stood against Confucian culture and objected to the fanatical pursuit of the cursive scriptures by the social elites at that time. Confucian culture of calligraphy to fully penetrate the beginning of the integration, from the anti-calligraphy level calligraphy into the Confucian system. Zhao Yi calligraphy art and human nature, talent together, stressed that calligraphy should be natural, derived from nature, which is of great significance to calligraphy criticism.