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实际上,德国摄影师迈克尔·沃尔夫的《玩具总动员》并不是传统意义上的的摄影,而是一个精心准备的摄影装置。2004年11月,16000多个塑料玩具占据了香港John Batten画廊展厅的整面墙,密密麻麻的玩具中穿插着生产世界上最大规模便宜塑料玩具的工人们的肖像照。这组作品也延续了迈克尔对中国东南沿海制造业发达地区社会变化的持续关注。“其实,得到拍摄的许可对我来说并不是最困难的,那段时间,我大概和超过200个的珠
In fact, the German toymaker Michael Wolf’s ”Toy Story“ is not a traditional photography, but a well-prepared photography device. In November 2004, more than 16,000 plastic toys captured the entire wall of Hong Kong’s John Batten Gallery showroom, packed with portraits of workers who produce the world’s largest bargain-sized plastic toys. This set of works also continues Michael’s continuous concern about the social changes in the developed areas of the southeastern coast of China. ”In fact, the permission to get a shot is not the most difficult for me, during that time, I probably and more than 200 beads