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本文以文化与技术的关系为线索讨论文化产业的兴起问题。芒福德以反抗“机器体系”为核心讨论了现代文化的困境,本雅明首次用复制技术来解释艺术转型,麦克卢汉预告了电子文化的来临。三位背景不同也无思想传承的理论家都从技术的角度解释文化的变迁,实际上探索了文化产业的兴起问题。在概括三位理论家的基本观点之后,本文分析了技术之于文化的影响是否有益、技术与社会的关系、技术是否仅仅是工具这三个问题,并因此提出实现文化产业发展中文化与技术的平衡的观点。
This article discusses the rise of cultural industries based on the relationship between culture and technology. Mumford discussed the dilemma of modern culture with revolt around the “machine system.” For the first time, Benjamin used the technique of copying to explain the transformation of the arts. McLuhan foreshadowed the advent of electronic culture. Three theorists who have different backgrounds and have no ideological inheritance all explain the change of culture from a technical point of view and have actually explored the rise of the cultural industry. After summarizing the three viewpoints of the three theorists, this paper analyzes whether the impact of technology on culture is beneficial, the relationship between technology and society, and whether technology is merely a tool. Therefore, this paper proposes that the cultural and technological development of the cultural industry should be realized Balanced view.