论文部分内容阅读
形式是对自然、体量感和享乐主义的提升。——博特罗在哥伦比亚的麦德林(Medellin)市中心漫步,走到安蒂奥基亚博物馆(Museum of Antioquia)门前,你将会通过一个“胖子”成堆的公园,这可不是大胖子狂热者的每月集会,而是展现本国最伟大的艺术家博特罗雕塑作品的大型广场。其中各种各样的“胖子”是博特罗享誉世界的夸张变形作品。博特罗1932年出生于哥伦比亚的麦德林市,是著名的画家和雕塑家,以诙谐幽默的硕大丰满造型而闻名。他在上世纪60年代游历欧洲,深受早期文艺复兴艺术影响,作品中既有南美文化(神秘的宗教体验、民间艺术以及拉丁美洲民间传说)、埃及的装饰艺术、世俗化的生殖崇拜等元素,还有西方
Form is to enhance the sense of nature, sense of mass and hedonism. - Botero walks through downtown Medellin, Colombia, in front of the Museum of Antioquia, and you will pass a pile of “fat” parks, which It’s not a monthly rally for the big fat man, but a large plaza that shows the country’s greatest artist Botero’s sculptures. Among them a variety of “fat” is Botero’s world-renowned exaggeration distortion works. Botero, born in Medellin, Colombia in 1932, is a famous painter and sculptor famous for his gigantic humor. He traveled to Europe in the 1960s and was deeply influenced by early Renaissance art. His works include elements of South American culture (mysterious religious experiences, folklore and Latin American folklore), Egyptian decorative arts, and secularized worship of the reproductive And there’s the West