汪曾祺在各类文字中,对当时流行的文学批评样式和立场表达不同看法。他认为一些批评文章写得繁琐,缺乏胆识,又过于自信,过度依赖外来资源,没有真正自己发声的能力。他中意的文学批评,既深刻又生动,有着充盈的感性体验和价值互动,是生命与生命之间的情感对话。这跟他矢志追求的诗意、明快、淡远创作风格大体是一致的,也是对传统感兴式、评点式批评的捍卫与继承。 Wang Zengqi expresses different opinions on the popular style and position of literary criticism in various kinds of writing. He believes that some critical articles are cumbersome, lack of courage, overconfidence, over-reliance on external resources, and lacking in the ability to really speak for themselves. His favorite literary criticism is both profound and vivid, with a full emotional experience and value interaction, which is an emotional dialogue between life and life. This is consistent with his poetic, cheerful, and far-reaching creative style that he is determined to pursue. It is also the safeguard and inheritance of the traditional sensational and critical criticism.