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在任何作品中,只要作者企图随物赋形,通过细致入微的观察进行正确的描写,就离不开他所接触的对象所处的时间和空间。所以,正确处理好时间关系和空间关系,乃是进行正确描写的坚实基础,也可以从中洞见作者观察和描写的基本功。郑振铎的《石湖》、峻青的《瑞雪图》,正是在这方面给人以启发。首先谈观察和描写中时间关系的处理。郑振铎的《石湖》,主要是描写东山石湖的胜景。作者为了完满地体现自己的意图,把时间前后拉开了三年,即前年、去年、今年。在这三年中,第一年是路过,作为概略的交代和简单的伏笔,是略写;第二年是专程,重点描写了范成大的祠堂、石湖秀丽异常的山水,是详写;第三年作者并不身临其境,只是虚写一笔。这样的时间安排,具有
In any work, as long as the author attempts to portray objects and accurately describe them through meticulous observation, they can not do without the time and space of the objects to which they come in contact. Therefore, correctly handling the relationship between time and space is a solid foundation for proper description, and we can also see the basic skills of the author in observation and description. Zheng Zhenduo's “Shihu” Jun Jun “Ruixue map”, it is in this area to give inspiration. First of all, talk about the handling of the relationship between time and description. Zheng Zhenduo's “Stone Lake”, is mainly described the scenery of Dongshan Shihu. In order to fully reflect his intention, the author opened the time before and after three years, the year before last year, this year. In the past three years, the first year is a passing, as a brief account of simple and foreshadowing, is a sketch; the second year is a special trip, focusing on description of Fan Chengda ancestral shrine beauty of the unusual landscape is written in detail The third year the author is not immersive, just a virtual write. Such a schedule has