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家喻户晓的白蛇和许仙的爱情故事,在舞台上以各种形式多种形态常演不衰。在白蛇剧目的传承改编过程中,创作者多数关注白娘子、许仙或者小青,关注妖怎么做人或人和妖怎么相处等等,而另一个重要人物法海形象的塑造却很容易被忽略,有些甚至缺乏合理的人物行动逻辑线。而我们知道,观众有多喜欢白蛇许仙这对神仙眷侣,就有多恨棒打鸳鸯的法海。因此法海形象的塑造在白蛇爱情故事中也有着至关重要的作用。现以田汉京剧版《白蛇传》、顾毓话剧版《白娘娘》、曹路生话剧版《白娘娘》以及罗
The well-known white snake and Xu Xian’s love story, on the stage in various forms of various forms of speechless. In the process of the reorganization and adaptation of the White Snake drama, most of the writers concerned about the White Snake, Xu Xian or Xiaoqing, concerned about how the demon is living or how people get along with the demon, etc. However, the shaping of the image of the other important person, Some even lack reasonable logical lines of action. And we know how much the audience like the white snake Xu Xian Shennianjuan, how much hate batang ducks Fahai. Therefore, the shaping of Fahai image also plays an important role in the white snake love story. Now Tian Han Peking Opera version of “White Snake”, Gu Yu drama version of “White Queen Mother”, Cao Lusheng drama version of “White Queen Mother” and Luo