全国各处保存着的组群罗汉像,如“四大罗汉”“十六罗汉”“十八罗汉”“五百罗汉”造像等,皆可分为梵相与汉相两种。经过美术考古可知,罗汉的造像形象起初均为梵相,之后才出现的汉相,这意味着罗汉的形象塑造是随着佛教的汉化而汉化。文章认为其缘起于从“十六罗汉”到“十八罗汉”的演变中,聚焦其演变的交接点,以考察组群罗汉造像中“汉人汉相”的缘起。 The groups of Rohan statues preserved in various parts of the country can be divided into the Vatican phase and the Han phase, such as “Four Great Rohan”, “Sixteen Arhats”, “Eighteen Arhats” and “Five hundred Arhats” Two kinds. After the archeology of art, it can be seen that the images of Lohan are all originally of the Vatican, and only appear afterwards. This means that the image of Lohan is finished with the localization of Buddhism. The article thinks its origins in the evolution from “sixteen arhats ” to “eighteen arhats ”, focusing on the evolution of the junction, in order to examine the group of Rohan statues “Han Chinese ” origin.