人们普遍认为.20世纪的西方油画.在步入以康德的先验唯心主义美学和元语言为基质的现代艺术以后,经过与传统写实油画的极力对抗.最终确立了自身的地位。及至后现代艺术影响下的西方油画更是逐渐走向了风格与样式上的极端。以观念、表演、现成品等创作方式为主的前卫艺术极大地冲击了以传统画布、颜料为媒材的架上油画的地位。传统具象写实的绘画观念犹如陈腐和守旧的代表,遭到艺术家们的激烈反对。以具象写实为特征的现实主义油画,也逐渐退出了理论的前沿。而在中国,情况却要复杂得多。表面上看来,中国的油画理论界对现实主义油画的讨 It is generally accepted that in the 20th century Western oil paintings entered the modern art based on Kant’s transcendental idealism aesthetics and metalanguage, and finally formed their own position through the confrontation with the traditional realistic oil painting. And to the Western modern art under the influence of Western oil painting is gradually moving towards the extreme style and style. The avant-garde art, which mainly focuses on ideas, performances, ready-mades and other creative methods, has greatly affected the position of oil painting on canvas with traditional canvas and paint as media. The traditional concept of realistic painting is like the old-fashioned representation of the old and the artists were fiercely opposed to it. Realistic oil paintings characterized by concrete realism also gradually withdraw from the frontier of theory. In China, the situation is much more complex. On the surface, China’s oil painting theory circles discuss the realistic painting