中华人民共和国成立之后的三十年间,造访的法国学者在特殊的参观环境中留下了一些对那个时代的记录。他们笔下的中国人群像,带有现代传记的特征,同时又刻上了各自研究领域的印记。这些作品尽管在某种程度上延续了近代法国汉学的中国经验,但更重要的是对这种想象的背离,以及对现代中国人的传记关注。 During the thirty years after the founding of the People’s Republic of China, visiting French scholars left some records of that era in a special viewing environment. Their Chinese portraits are characterized by modern biographies and are engraved with the marks of their respective fields of study. Although these works have, to some extent, continued the Chinese experience of modern French Sinology, what is more important is their departure from such imagination and the concern about the biographies of modern Chinese.