戏剧创作是为观众而存在的.没有观众,戏剧也就失去了存在的意义.“一件艺术品的生命,不仅仅是由创作它的艺术家赋予的,也是由欣赏它的观众赋予的;艺术生命的延续,要靠观众的不断欣赏.”(《戏曲通论》第604页)戏剧的演出作为审美对象的艺术创作,是依赖了作为审美感受的艺术欣赏,才能成立的.因此,戏剧创作必然要受到观众的制约.可见,注意处理好审美主体与审美对象的关系,有效的把握、诱导观众的审美心理活动,树立观众创造性的审美观念, The creation of drama exists for the audience, and without it, the meaning of existence is lost. “The life of an artwork is not only given to the artist who created it, but also to the audience who appreciates it; art The continuation of life relies on the constant appreciation of the audience. ”(“ The General Theory of Opera ”, p 604) The performance of theatrical performance as an aesthetic object depends on artistic appreciation as the aesthetic experience, so drama creation inevitably To be subject to the constraints of the audience can be seen, pay attention to deal with the relationship between aesthetic subjects and aesthetic objects, to effectively grasp and induce the audience’s aesthetic psychology activities, establish the audience’s creative aesthetic concept,