我敢说——如果音乐有温度,那么每个聆听《卡门》的人注定为它所灼伤。哲圣尼采当年就为之痴醉:“昨天——你相信吗?——我第二十次听到了比才的杰作。我是又一次怀着同样温和的敬意去听的。这样的作品多么使人感到完满啊!……我真嫉妒比才,他居然这样大胆地写出这富于感情的音乐,表现出了欧洲文化培育的音乐过去所无法表现的——这种南方的,黄褐色的,晒黑的感情。” I dare say - if the music has temperature, everyone who listens to “Carmen” is doomed to it. Zhenty Nietzsche was intoxicated with that year: “Yesterday - do you believe it? - I heard the masterpiece of Bea-tacana on the 20th, and again I listened with the same gentle respect. Man feels perfect! ... I was so jealous of Beatrice that he boldly wrote this emotionally-charged music, showing the music that the European culture had not been able to express in the past - a southern, tawny Tanning feelings. ”