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关于艺术的起源有诸多说法。其影响较大的有模仿说、游戏说、表现说、巫术说、劳动说等等。说法虽多, 但万法归宗,均离不开创作者和观赏者的人之天性——童心。童心无处不在,它存在于艺术创作的意识和无意识之中,它既属创造美学范畴,又属接受美学范畴。从初始混沌的天性,到步入理性的樊篱, 再到复归童心的灵境,童心决定着艺术创作的稚嫩与成熟。
There are many explanations about the origin of art. The more influential Imitation said, the game said, said performance, witchcraft, labor, and so on. Although there are many explanations, but all methods, are inseparable from the nature of creators and spectators - innocence. Childlike innocence is everywhere. It exists in the consciousness and unconsciousness of artistic creation. It is both an aesthetic category and an aesthetic category. From the initial instinct of chaos, to the barriers of rationality, to the spiritual realm of returning to innocence, innocence determines the innocence and maturity of artistic creation.