从二十世纪初开始,在西学东渐的背景下,书法审美的理论形态开始发生转变。这一转变深刻地体现在思维方式和话语方式两方面,它逐渐地告别了古典书法美学中重直觉、重体验、重顿悟的体验 From the beginning of the twentieth century, under the background of the gradual progress of Western learning, the theoretical form of calligraphy aesthetic began to change. This change is profoundly reflected in both the way of thinking and the way of discourse. It gradually farewell to the experience of heavy intuition, heavy experience and heavy insight in classical calligraphy and aesthetics