晚明著名书画家董其昌借用佛教禅宗理念提出了中国山水画史上著名的“南北宗”论,此后画家皆遵循此道,或南或北,泾渭分明,少有贯通者。然而先于董其昌,吴门唐寅已是一位贯通南北宗,花鸟人物书法无一不精的全才画家了。笔耕砚田花月相伴唐寅(1470~1524年)(图1),字伯虎,更字子畏,出生于苏州阊门皋桥小商人家庭,赋性豪侠,年轻时放浪不羁。后经友人祝允明之 In the late Ming dynasty, famous painter Dong Qichang borrowed the Zen Buddhism concept and put forward the famous theory of “North-South Zong” in the history of Chinese landscape painting. Since then, the painters followed this road, or south or north, and they were quite different from each other. However, prior to Dong Qichang and Wu Men, Tang Yin was a painter of painstaking art all through the north-south and the bird-calligraphy. Ink pen Tianhuahua accompanied Tang Yin (1470 ~ 1524) (Figure 1), the word Bohu, more dauntless, was born in Suzhou Gao Mangaoqiao small businessman family, fugitive Xia, young unrestrained. After friends wish Yun-Ming