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关于美声、民族、通俗这三种唱法的界定,近几年音乐界虽有一些争论,但基本看法还是一致的。这三种唱法中,美声唱法有着较为严格的规范化条件;而民族唱法和通俗唱法则带有相当程度的概括性和相对性,现对这三种唱法分别作一些介绍。美声唱法产生于17世纪的意大利,其意大利原文是Belcanto,即柔美的歌声演唱法。它旨在发挥“人体乐器”的最大功能,要求在吸气的瞬间迅速打开胸腔、咽腔和头腔,形成上下通畅的共鸣声道,继而使发声的气息从深下腹(丹田)发出,震动声带,使三腔共鸣的柔美歌声从头的上部自然放送出来。这种唱法可简要概括为两句话,即“三腔共鸣成一体,声道通畅位置高”。其早期具有代表性的歌唱家有卡法莱
With regard to the definitions of the beautiful voices, the nationalities and the popular songs, some controversy in the music industry in recent years is still basically the same. Among the three singing styles, the beauty singing style has more strict standardization conditions; while the ethnic singing style and the popular singing style have a rather generality and relativity. Now we introduce the three singing styles separately. Bel Canto was born in the 17th century in Italy. Its original Italian text is Belcanto, which is a soft singing voice. It aims to play “the greatest function of human instrument”, requiring the rapid opening of the chest, pharynx and head cavity at the moment of inhalation to form a smooth resonance channel up and down, and then the vocal breath is emitted from the lower abdomen (pubic region) Vocal cords, so that the three chamber resonance gentle song from the top of the natural release. This singing can be briefly summarized as two sentences, that is, “three-cavity resonance into one, the channel patency position high.” Its early representative singer has Cafaff